Mark Kligman
SDLC 111
Dr. Scinicariello
Ukrainian
Cultural Posts
1.
Taras Shevchenko, Ukrainian artist/poet-public figure: 1814 - 1861
Taras Shevchenko is easily the most famous and recognizable Ukrainian poet both domestically and internationally. In addition to Shevchenko’s work in poetry, he was also a successful writer, artist, public/political figure, ethnographer and folklorist. Despite his already impressive portfolio, Shevchenko’s most important achievement is being the foundational representative of the modern Ukrainian literature and language. Shevchenko’s impact on Ukrainian culture was so influential that the gravity of his relevance in Ukrainian culture had to be completely downplayed, in some cases, even prevented from being taught or mentioned at Ukrainian academic institutions during the Soviet era. The reason for this behavior was linked to the Soviet government’s fear of Shevchenko’s strong Ukrainian-nationalism views, which were commonly expressed in his work. The Soviet administration had a concrete way of diffusing the Ukrainian-nationalism message being sent in the works of Shevchenko, through emphasizing the social and anti-Tsarist components of his legacy, such as the class struggle of ethnic Ukrainians within the Russian Empire, while simultaneously casting a shadow on any patriotic and nationalistic observations in his work. Shevchenko himself was born a “serf”, which is the equivalent of a slave in a feudalist society, and he suffered immensely for his strong political views and opposition towards the established order of the Russian Empire in the 19th century. During Soviet times, Shevchenko was portrayed as an internationalist who’s objective was to support the poor classes in society through his work. In reality, Shevchenko was a vocal proponent of the Ukrainian national idea.
Citations:
http://www.encyclopediaofukraine.com/display.asp?linkpath=pages%5CS%5CH%5CShevchenkoTaras.htm
http://www.univ.kiev.ua/en/geninf/Shevchenko/
2.
Mykola Khvylovy, Ukrainian writer/poet-public figure: 1893 – 1933
Mykola Khvylovy was a Ukrainian writer and poet who is credited for being one of the founding fathers of VAPLITE (Vilna Akademiya, Proletarskoii Literatury - Free Academy of Proletarian Literature). VAPLITE was a literary union in Ukraine during the Soviet era that existed for roughly two years before being disbanded by the Soviet government, due to its sharp views and expressions against the reigning Communist Party. Soviet leader Joseph Stalin considered Khvylovy a major threat to the Communist Party, specifically because of his unfinished work “Valdshnepy”, which was an ideological text that has drawn comparisons to George Orwell’s “1984”. The first part of “Valdshnepy” was published in a VAPLITE pamphlet under Khvylovy’s pseudonym: “Artem Sokil”. Stalin persecuted members of VAPLITE as a result of the “Valdshnepy” publishing and sent many to oppression camps in Siberia as punishment for their choice to not identify who wrote the text. Khvylovy committed suicide shortly after Stalin carried out his verdict, citing that he could no longer bear the pain he felt as a result of the oppression of fellow writers and Ukrainians. His suicide note read: "Arrest of Yalovy - this is the murder of an entire generation ... For what? Because we were the most sincere Communists? I don't understand. The responsibility for the actions of Yalovy's generation lies with me, Khvylovy. Today is a beautiful sunny day. I love life - you can't even imagine how much. Today is the 13th. Remember I was in love with this number? Terribly painful. Long live communism. Long live the socialist construction. Long live the Communist Party." After Khvylovy’s death, his literature work was banned in the Soviet Union until its eventual collapse; the second part of “Valdshnepy” was eventually confiscated and never retrieved. Khvylovy advocated an orientation towards cultural trends in Western Europe, with an objective of loosening Ukraine’s dependence on Russian forms and inspiration. Needless to say, Khvylovy created major controversy, divided the Ukrainian literary scene, and created tension with Soviet authorities.
Citations: http://www.encyclopediaofukraine.com/display.asp?linkpath=pages%5CK%5CH%5CKhvylovyMykola.htm
http://www.ciuspress.com/catalogue/culture-and-society/3/the-cultural-renaissance-in-ukraine%2D-polemical-pamphlets%2C-1925%2D1926
3.
Lesia Ukrainka, Ukrainian writer/poet-public activist: 1871 – 1913
Born as Larisa Kosach-Kvitka, Lesia Ukrainka is considered as one of the most influential Ukrainian cultural figures and the absolute foremost female writer in Ukrainian literature. In addition to being a writer, Lesia was also a political, civil, and female activist. Encouraged at an early age by her uncle to study traditional Ukrainian folk works and history, Lesia started writing her works at an early age. Ukrainka’s work reflected her belief in Ukraine’s freedom and independence, leading her to receive membership of the Literary and Artistic Society in Kiev, which was eventually banned in the early 20th century due to its relations with revolutionary activists at the time. Ukrainka revealed an inclination towards Western ideologies early on in her life, when she and her brother established a literary circle called “The Pleiades” inspired by the French school of poesy “Pleiade”. The purpose of “The Pleiades” was promoting and developing Ukrainian literature and translating foreign classics into the Ukrainian language. Shevchenko and Franko inspired Ukrainka’s work and as a result, the Russian Empire immediately banned her first published text “Na krylakh pisen” in 1893. “Na krylakh pisen” was however distributed in Western Ukraine, which was a part of Austria-Hungary at the time, and smuggled into the Russian Empire by many. Ukrainka actively opposed the Russian Empire and was a member of several Ukrainian Marxist organizations. Ukrainka has been credited for being the first to officially translate the “Communist Manifesto” into the Ukrainian language. Shortly after her translation of the Marx text, Ukrainka was arrested by Russian police and remained under heavy political surveillance for the remainder of her life. It has been frequently expressed that it was the police incident, and not Ukrainka’s deteriorating health, that lead her to halt all literary work.
Citations:
http://www.encyclopediaofukraine.com/display.asp?linkpath=pages%5CU%5CK%5CUkrainkaLesia.htm
http://www.britannica.com/EBchecked/topic/613095/Lesya-Ukrainka
4.
Ivan Franko, Ukrainian writer/economist-political figure: 1856 – 1916
Ivan Franko was a radical political figure and the founder of both the socialist and nationalist movement in Western Ukraine. Ivan Franko is credited for writing the first detective novels in the Ukrainian language and being one of the pioneers of translating classic foreign works by the likes of William Shakespeare, Lord Byron, and Victor Hugo into the Ukrainian language. Along with Shevchenko, Franko is considered as one of the major contributors to modern literary and political thought in Ukraine. Franko’s meeting with Mykhailo Drahomanov at Lviv University (Western Ukraine), who was considered a radical political and economic theorist by the Russian Empire, was instrumental in shaping the literary and political association that Franko expressed in his work. Franko’s association with Drahomanov led authorities to accuse him of belonging to an unidentified secret socialist society and resulted in a nine-month arrest in 1877. After his release from prison, Franko studied the works of Karl Marx and Friedrich Engels, contributed articles to European newspapers and assisted with organizing workers’ groups in Lviv. Franko went on to found his own magazine: “Hromadskyi Druh” (Public Friend), which was discontinued by the Russian government after only two issues. Franko was arrested again in 1880 after being accused of arousing Ukrainian peasant to a state of civil disobedience by Russian officials. This time, Franko was sent to an oppression camp for three months to endure exile and suffering for his social and political views. Upon his release from prison, Franko was kept under political surveillance, which many cite as the reason to why he was dismissed as a lecturer from Lviv University. Ironically, Lviv University went on to be renamed “Ivan Franko National University of Lviv” after Franko’s death. Ivan Franko was eventually arrested a third time in 1889 for his contributions to the journal “Pravda” (Truth), and collaboration with the patriotic and anti-Russian compatriots of Central Ukraine. Franko eventually died in poverty and poor health; he struggled immensely in his later years, as he no longer had the health and energy to constantly battle the Russian regime and was limited in his writing due to the full paralysis of his right arm.
Citations:
http://www.encyclopediaofukraine.com/display.asp?linkpath=pages%5CF%5CR%5CFrankoIvan.htm
http://www.britannica.com/EBchecked/topic/217438/Ivan-Franko
5.
Holodomor (Extermination by hunger), man-made famine/genocide of ethnic Ukrainians in the Soviet Union: 1932 – 1933
The Holodomor roughly took five million Ukrainian citizens’ lives in a single year. Holodomor was a man-made famine resulting from the deficiency of crops from the weak harvest of 1932. The process was fully controlled by the government, specifically because the urban Ukrainian citizens received their food portions through a government rationing system. Initially suburban Ukrainian citizens were affected the most since they were disconnected from the rationing system, however eventually urban citizens faced the same challenges as their portion sizes continuously dropped lower and lower. Despite various theories, historians believe that the Soviet government used the famine to their advantage to attack the increased sense of Ukrainian nationalism among the Ukrainian people resulting from the advocacy of popular Ukrainian poets, artists, and public figures. Although the Soviet government denied ethnic targeting throughout the famine, there is widespread evidence that the leader of the Communist regime, Joseph Stalin, deliberately targeted the Ukrainian people. The evidence focuses on the extraordinary and especially hostile rationing policies that were for some reason not adopted in any of the multiple Soviet republics, other than on the territory of Ukraine. In 1953 Dr. Raphael Lemkin, a Yale professor who famously coined the term “genocide”, remarked in his speech on the Holodomor: “the Ukrainian is not and never has been a Russian. His culture, his temperament, his language, his religion, are all different...to eliminate Ukrainian nationalism the Ukrainian peasantry was sacrificed. A famine was necessary for the Soviets and so they got one to order. If the Soviet program succeeds completely, if the intelligentsia, the priest, and the peasant can be eliminated, then Ukraine will be as dead as if every Ukrainian were killed, for it will have lost that part of it which has kept and developed its culture, its beliefs, its common ideas, which have guided it and given it a soul, which, in short, made it a nation. This is not simply a case of mass murder. It is a case of genocide, of the destruction, not of individuals only, but of a culture and a nation.”
Citations:
http://www.encyclopediaofukraine.com/display.asp?linkpath=pages%5CF%5CA%5CFamine6Genocideof1932hD73.htm
http://www.uccla.ca/SOVIET_GENOCIDE_IN_THE_UKRAINE.pdf