For my cultural posts, I decided to focus on Slovak art history as a way to connect my current studies with my Art History major. Throughout my art historical education, I have learned about everything from Tōdai-ji, the Buddhist temple complex in Nara, Japan, to the vivid frescoes of the Scrovegni Chapel in Padua, Italy. However, I have not had much exposure to Central or Eastern European art history. Additionally, it is important to note that like many other academic fields, art history still focuses on a largely westernized canon and viewpoint; the field of art history requires a further expansion into cultures throughout the world, not just frescoes from the Vatican or paintings by French masters. In observation of this lack of diversity in my art historical, I am choosing to study significant paintings, architecture, and other artistic media to Slovak culture.
My first focus is on Banskoštiavnická Kalvária, a 18th century Church compound. As I studied this architectural compound, I found that the naming among sources is very inconsistent. Some of its names include “The Calvary Church”, “The Baroque Calvary”, “Banská Štiavnica Calvary”, “Calvary in/of Banská Štiavnica”, “Banská Štiavnica Calvary Complex”, “Kalvária” and “Kalvária Banská Štiavnica”. For the sake of consistency, I will refer to the complex as “Kalvária”. The compound was erected in 1751 and sits on a hill in the Central Slovakian town of Banská Štiavnica (translated to “City of Silver”). Banská Štiavnica is known for their silver-mining boom in the 18thcentury, becoming a major source of profit for the Kingdom of Hungary. The compound is especially notable for its Baroque style and its views overlooking the entire town of Banská Štiavnica. A Jesuit priest named Francis Perger convinced the town of Banská Štiavnica to erect a Calvary complex on Sharfenberg Hill (Sharp Hill) in the middle of the Štiavnica volcano. This church/calvary complex was specifically created to worship the Passions of Christ and enhance the emotional connection between a suffering Christ and Christian pilgrims. It was built and funded through donations from the Emperor, the poor, and everyone in between. The compound includes three churches, nineteen chapels, and a sculpture of the Virgin Mary. The Upper Church sits atop the highest point on the property, looking over Banská Štiavnica. Throughout the complex, there are intricate frescoes, paintings, and sculptures depicting important scenes and figures from the Bible. Kalvária became an important pilgrimage site as the complex boasted seventeen stations of the Cross rather than the traditional fourteen stations. The creator of the complex increased the number of stations by including stories from before Christ’s condemnation. Around 2007, advocates for Kalvária created the Calvary Fund and began to restore the Church after years of disrepair from the battles of WWII, neglect during Communist Rule, and a failed restoration attempt in the 1980s. Today, Kalvária continues to be a highly important pilgrimage and religious site as citizens of Banská Štiavnica use the complex for religious holidays and festivals.
Kalvária reminded me of some of the buildings I saw during my visit to Bratislava. Throughout the city, I saw Baroque-style buildings with bright colors, accentuated curves, and golden accents. The Holy Trinity Church in Bratislava really reminds me of Kalvária due to its pink coloring and prominent coat of arms above the church’s entrance.
360-degree views of Kalvária: https://www.youtube.com/watch?v=72LwfAtHJh4 ;
Aerial photograph of the entire compound
Upper Church of Kalvária
The Holy Trinity Church: Shot during my trip to Bratislava, SK
Sources:
https://visitworldheritage.com/en/eu/calvary-church/55eebda8-789d-457f-a6cf-392e9b9dd126
https://www.kalvaria.org/zakladne-info/
https://www.wmf.org/project/banská-štiavnica-calvary-complex
https://www.youtube.com/watch?v=1BV_2uL9eFo
https://www.atlasobscura.com/places/calvary-of-banska-stiavnica
https://www.atlasobscura.com/places/calvary-of-banska-stiavnica