One of the best ways to learn a new culture is by looking at their art, the way that society expresses in literature, visual arts, cuisine, and so on. Thinking about this, I decided to bring Heo Nanseolheon (허난설헌). She is a poetess who lived during the mid-Joseon dynasty in Korea. During the Joseon Era, Confucianism was the main religion and the predominant way of thinking. Confucianism preaches a clear division of the roles of women and men. For this reason, during the Joseon Era, it was not common to see women dedicated to reading and writing. Heo Nanseolheon appeared, then, as an exception to the rule. At the age of eight, she wrote a poem that impressed her elders and came to be called a prodigy. She is also the sister of Heo Gyun, the alleged author of one of the great classics of Korean literature: Hong Gildong. Her brother started to market her poems in China. These poems became popular in both China and Japan. Despite this, due to Confucian beliefs, their poems did not gain notoriety in Korea. She only began to be recognized as an artist after the Joseon period.
At the same time, Shin Saimdang was the role model woman, exalted by Korean society. She was seen as an artist, but mainly as a good mother, able to raise a male child with dexterity. A woman considered ideal by the standards of Korean society at the time was a woman who never left home, just caring for the home and children. Women always had to obey a man, being first their father, then their husband, and lastly their male child. Heo Nanseolheon, for breaking all these patterns, has been frowned upon throughout her life. She was married when she was 15 years old and she died at the age of 26. None of her children survived and she has never got along with her husband and her in-laws. After her death, all her drawings were burned, leaving only one. Many of her poems were kept due to her brother's zeal and their commercialization in China. I recommend to my colleagues to watch the video below, where I got a lot of the information. It contains interesting reflections on the life of Heo Nanseolheon and also tells a little bit about Shin Saimdang. Link: https://www.youtube.com/watch?app=desktop&v=G29uPDxFcus&feature=youtu.be
I would like to present one of her poems: Poor Woman Chants (빈녀음)
"Though my countenance is as good as those of others,
Also are knitting and weaving skills,
As I grew up in a poor family,
No matchmakers come to me.
Though cold and hungry, I never appear to be so
But weave next to the window all day.
Only my parents think of me with sympathy,
So what neighbors will sympathize with my feeling?
Though the night is deep, the weaving hand does not stop,
The sound of loom tinkers lone.
This one garment weaved from the loom.
Of which bride would this be?
As I cut the garment with a pair of scissors,
The fingertips are breathed on in a cold night.
Though the wedding garment takes day and night,
This body of mine sleeps curled every year."
- Link: https://m.blog.naver.com/PostView.naver?isHttpsRedirect=true&blogId=globalkorea7&logNo=90143529631
It is really interesting to learn more about Korean history and also about Korean women. In a predominantly male story, it's important to look carefully at people who appear and who don't appear in the history books and why. We know a society better by knowing the kind of exalted people and the kind of people who were disowned. While researching the subject, I found that a ballet group created a creative performance inspired by the story of Heo Nan Seol Heon and another important figure in Korean history. The performances were from the 7th to the 9th of May and unfortunately, I wasn't in the US at that time. (Link: https://washingtondc.korean-culture.org/en/1134/board/897/read/108303)
I will continue looking for more information on the subject. This week, I combined art and history to learn a little more about Korean culture.